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How to use the apollo twin with adobe audition 3.0
How to use the apollo twin with adobe audition 3.0








So even at a slight angle, if you speak toward the front of the mic, the signal will be strongest there, and weaker behind the mic. This means the area of sensitivity is “heart-shaped” in front of the mic. The industry standard among cardioid condenser mics is the Neumann TLM-103.Ī cardioid condenser mic is a microphone with a cardioid polar pattern. Let’s discuss some options of various price ranges and styles. Remember that all condenser XLR mics require 48 volts of phantom power. An XLR microphone is the preferred choice for true professionals. While there are some newer USB mics that are worth looking at, such as the Apogee, the vast majority of successful professional voice over artists, studios, agencies, etc. For the current purposes, I will tell you about the best options based on an ideal recording environment  i.e., a properly treated room. One of the biggest decisions that both new voice talent as well as veteran voice talent mull over is: which mic is best? This is a complicated topic, probably the most complicated when it comes to your equipment chain. Seven Tips on How to Set Up Your Voice Over Studio This will include not only a list of the equipment and accessories for different budgets, but also links to where one can purchase these items. I am operating under the assumption that you already have some of the basics you need, such as a computer and desk.

how to use the apollo twin with adobe audition 3.0

In this article, I will explain how to set up a professional home studio, including all of the voice over equipment you will need to help your business thrive. So in order to compete as a VOA, you must not only possess the proper training and talent, but also a great home studio.

how to use the apollo twin with adobe audition 3.0

But the bugs I run into, including the "Reverb Lock" along with some other small ones sour the love a bit.In the modern era, most voice over artists work from home as opposed to traveling to professional studios. The Plugins are devine, the lack of CPU hit, also lovely. I wish I could tell all the engeneers and production directors to get a UAD. I work for CBS Radio, who owns a ton of radio stations.

how to use the apollo twin with adobe audition 3.0

Do I tell everyone they must buy one, sadly no. Yes I have emailed UA for service, with no reply.ĭo I still love my UADs, YES. Yes I have hit up the forums, with no reply. The problem exists starting round 5.2 of the UAD software. So the problem has nothing to do with hardware since nothing but Audition and the UAD host software/plugs are the same.

how to use the apollo twin with adobe audition 3.0

I have this problem on both computers I use, the stations: a Windows XP system (32 bit) with a UAD 1 card, and a new screamer at home running Windows 7 (64 bit) using a UAD2 Solo card. Loading ANY session with these plugs in a bus locks the software to the point where you can not close the program, or "end the task". I've had HUGE problems with Dreamverb, and RealVerb Pro with Audition 3.










How to use the apollo twin with adobe audition 3.0